рд╕ोрдорд╡ाрд░, 11 рдирд╡ंрдмрд░ 2019

ЁЯСЙ Gayatri Sadhna truth and distortions (Part 3)

ЁЯСЙ In what way the twenty-four emanations of Divine Mother (Matrikas) represent Gayatri?

★  As various organs perform specific functions in the human body, the primary divine energies inherent in the Primordial Supreme Power (Adyashakti) of God have been  conceived as twenty-four motherly emanations or nine Devis (female deities) - since, amongst the living beings in the world, only the female of the species is capable of creation.

ЁЯСЙ Are Gayatri and Savitri different?

★ Not exactly. They are different expressions of the Supreme Power of God. As such they are opposite faces of the same coin. Gayatri (idolised with nine faces) and Savitri (idolised with five faces) in fact identify the extra-sensory and sensory excellence in human life which are known as Riddhis and Siddhis in yogic parlance. Gayatri and Savitri are inseparable - inherent like heat and light in fire.

ЁЯСЙ  What are the specific divine emanations associated with Gayatri and Savitri?

★ As mentioned in the answers to Q.No. 4, Gayatri and Savitri are two sides of the same coin. Gayatri has been referred to by innumerable names. Amongst its significant twenty-four thousand aliases, 24 represent its principal emanations. Twelve of these have been idolized for practical spiritual growth and the remaining twelve for material gains. These are enumerated as:

A) Emanations worshipped for spiritual growth (Adhyatmik pragati)
1) Adyashakti  2) Brahmi  3) Vaishnavi  4) Shambhavi     5) Vedmata   6)Devmata  7) Vishwamata  8) Ritambhara    9) Mandakini  10) Ajapa  11) Riddhi  12) Siddhi
  
B) Emanations worshipped for material gains
1) Savitri 2) Saraswati 3) Lakhyami 4) Durga 5) Kundalini 6) Pranagni 7) Bhawani 8) Bhuwaneshwari 9) Annapurna 10) Mahamaya 11) Payaswani 12)  Tripura    (For details please refer to the publication ‘Gayatri  ki Chaubis Shakti Dharaein’ in Hindi- Published by this mission.)

✍ЁЯП╗ Pt. Shriram Sharma Acharya
ЁЯУЦ Gayatri Sadhna truth and distortions Page 17-18

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